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New York State
Literary Center Teaching Artists |
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TED
CANNING,
a percussionist and native of Cleveland, Ohio, has done
extensive freelance work in the northeast United States
performing classical music, theater, big band and jazz. His
world music studies and performances include Ghanaian, Haitian,
Brazilian and Senegalese drumming in a variety of ensembles.
From his start as a lead pan player and founding member of the
Pandemonium Steelband of Wesleyan University, Ted now
performs with the steel drum here in the US as well as in Europe
and Latin America. He performs in numerous styles, from
Caribbean dance music to new classical works. Ted Canning was
the steel drum soloist in performances in Siena, Italy, Mexico
City, Mexico and at Carnegie Hall and Lincoln Center in New York
City, and has performed with the Rochester Philharmonic
Orchestra, Rochester, New York. He has performed as well
with national champions “Phase II Pan Groove” in Trinidad
and Tobago, and with the Moods Pan Orchestra,
Crossfire and the D’Radoes steelbands in Brooklyn,
New York.
Ted Canning now leads the Panloco Steelband, the
Livingston County Community Steelband and the St.
Michael’s Steelband. He performs with the Pangaia
Steelband, and the Trinidad and Tobago Steelband,
both based in the greater Rochester, New York area, and has
performed with “pan” players from Trinidad and around the world.
He has worked with The New York State Literary Center for five
years.
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DALE DAVIS’
distinguished career as a writer, educator, publisher, scholar,
producer, dramaturge, and advocate for young people began as one
of the founding poets of New York State Poets In The Schools.
1979, she co-founded The New York State Literary Center where
she continues to serve as Executive and Artistic Director. Dale
Davis has edited and published, through The New York State
Literary Center, over six hundred books and anthologies of the
writing of young people. She has written plays with young people
that have been performed throughout New York State, and her
installations, combining the writing of young people and her own
photographs, have been exhibited in several prominent venues.
In
1990, The New York State Literary Center’s Arts Education
programs began to concentrate on disconnected youth, young
people at highest risk for educational failure, in residential
placement and day treatment facilities, juvenile detention
centers, juvenile justice facilities, and jails. Dale Davis
pioneered teaching literacy using hip-hop culture as an
educational tool. She has written and directed three hip-hop
theater pieces, adapted from the writing of the young people
with whom she works that have been performed in juvenile justice
facilities prisons, and jails. She has also edited and published
a series of children’s books written by incarcerated
adolescents. She has produced thirty CDs that feature the
poetry, spoken word, and rap of the young people with whom she
has worked. The New York State Literary Center’s work with
high-risk young people has received national recognition from
The National Alternative Education Association, The National
Dropout Prevention Association, and Arts In Criminal Justice. In
addition, Davis’ work has been featured in New York Magazine,
on Tuft University’s Eliot Pearson Department of Child
Development website, and praised by The National Assembly of
State Arts Agencies Stop The Violence Through The Arts program.
In 2006 Davis founded New York State’s Arts In Correctional
Education Network, which she presently administers for The New
York State Literary Center.
She has
worked with juvenile justice sites, lectured, and conducted
teacher development programs throughout the country. As a
recognized expert on Youth Culture, she served as a consultant
to The Children’s Dignity Project, ABC Network and was selected
to participate in Harvard University’s Institute on The Arts and
Civic Dialogue, established by playwright and actor Anna Deavere
Smith.
In 2004, her work was the subject of a Fox News Documentary.
She recently consulted with the College Board on its National
Arts In Education Task Force.
As an advocate for Teaching Artists, Dale Davis was one of the
founders of the Association of Teaching Artists in 1998. In 2006
she became the Association of Teaching Artists’ first Executive
Director. She develops and maintains the organization’s web
site, Facebook page, and edits its listserv, which reach over
3,000 Teaching Artists daily. She is in communication with
Teaching Artists nationwide and consults on training and
professional development for Teaching Artists. She has presented
on Teaching Artists and The Association of Teaching Artists
throughout the country where The Association of Teaching Artists
is looked to as a national model. She is a member of the
Teaching Artist Certificate National Advisory Council, The
University of The Arts.
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JEREMY
DEGROAT
is a graduate of Finger Lakes Community College with an A.S. in
Audio Recording Technology. He was an intern for East End
Recording Studios in Rochester, one of the largest recording
studios on the east coast. After two months as an intern, he
was hired as an audio engineer. Shortly after he was promoted to
Assistant Manager and Head Engineer. In 2004, he was promoted to
Studio Manager. While at East End Studios he worked on many
different types of projects, including local musicians, national
label musicians, Eastman School of Music faculty and students,
as well as working with national producers and commercial
accounts. In 2006 East End Studios closed because the owners
decided to retire. Since then Jeremy DeGroat has worked as an
independent recording engineer. He has worked with The New York
State Literary Center for eleven years.
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MARGOT
MUTO
was academically trained in fine art and design at the Cleveland
Art Institute and Rochester Institute of Technology. She has
taught at Cleveland Museum of Art and the Memorial Art
Gallery (Rochester). She has worked alongside her father, Rick
Muto, in creating murals for residential and community spaces
since high school at School of The Arts in Rochester. Margot
manages the business aspects of her parents’ Art and Design
Studios, and she is currently Vice President of Neighborhood of
The Arts Business Association. She is currently developing AXOM
Gallery and Exhibition Space, promoting contemporary art. She
has worked with The New York State Literary Center for five
years.
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DAVID
A. SHAKES
was born in
Philadelphia Pennsylvania and was raised in Brooklyn, New York;
he became interested in dramatic arts as a young student. While
a student at Erasmus Hall High School he auditioned for and
became a member of the all-city radio and television workshop.
The workshop provided an excellent opportunity to perform radio
plays and television skits as well as the fundamentals of
narration. David continued to work in the arts as a young adult
during the “Black Arts” movement of the late 1960’s and early
1970’s. Shakes was one of the founding members of the “Spirit
House Movers and Players” a prominent theatre company that
presented plays and performed poetry throughout the country.
During that period of time he worked and studied with many
dramatists and authors including Amiri Baraka, Woodie King Jr.
and Yusef Iman; he also studied at the American Academy of
Dramatic Arts. In addition to his studies in the arts Mr. Shakes
earned a B.S. in communications at Empire State College and an
MSW at Syracuse University. Shakes is a longtime resident of
Rochester, he has worked with numerous theatres in the Rochester
community as an actor, director, guest artist and producer. His
performances and productions have received critical as well as
public acclaim, at Geva Theatre he portrayed Gabriel in
“Fences”, Slow Drag in “Ma Rainey’s Black Bottom”, other
theatres where he was a contributing artist include JCC
Centerstage, Shipping Dock, Blackfriars, RAPA, Downstairs
Cabaret Theatre and Rochester Community Players. David also
founded the Village Theater where he acted, directed and
produced plays. Mr. Shakes is a social worker in the Rochester
City School District at Roberto Clemente School #8, along with
his responsibilities as a social worker he coaches students for
the Fredrick Douglass oraratorical contests and has coached two
national winners in the past two years; 2006: William Urena and
2007: Ineabasi Ikpot. Mr. Shakes is also active as an actor in
local films and advertising campaigns; another aspect of his
work in the community is that of historical interpreter, he
often presents such persons as Frederick Douglass, Langston
Hughes, and Dr. Martin Luther King Jr. He has worked with The
New York State Literary Center for four years. |
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