New York State Literary Center Teaching Artists
 

TED CANNING, a percussionist and native of Cleveland, Ohio, has done extensive freelance work in the northeast United States performing classical music, theater, big band and jazz.  His world music studies and performances include Ghanaian, Haitian, Brazilian and Senegalese drumming in a variety of ensembles.  From his start as a lead pan player and founding member of the Pandemonium Steelband of Wesleyan University, Ted now performs with the steel drum here in the US as well as in Europe and Latin America.  He performs in numerous styles, from Caribbean dance music to new classical works.  Ted Canning was the steel drum soloist in performances in Siena, Italy, Mexico City, Mexico and at Carnegie Hall and Lincoln Center in New York City, and has performed with the Rochester Philharmonic Orchestra, Rochester, New York.  He has performed as well with national champions “Phase II Pan Groove” in Trinidad and Tobago, and with the Moods Pan Orchestra, Crossfire and the D’Radoes steelbands in Brooklyn, New York. 

 

Ted Canning now leads the Panloco Steelband, the Livingston County Community Steelband and the St. Michael’s Steelband.  He performs with the Pangaia Steelband, and the Trinidad and Tobago Steelband, both based in the greater Rochester, New York area, and has performed with “pan” players from Trinidad and around the world. 

 

He has worked with The New York State Literary Center for five years.  

 

 

DALE DAVIS’ distinguished career as a writer, educator, publisher, scholar, producer, dramaturge, and advocate for young people began as one of the founding poets of New York State Poets In The Schools. 1979, she co-founded The New York State Literary Center where she continues to serve as Executive and Artistic Director. Dale Davis has edited and published, through The New York State Literary Center, over six hundred books and anthologies of the writing of young people. She has written plays with young people that have been performed throughout New York State, and her installations, combining the writing of young people and her own photographs, have been exhibited in several prominent venues. In 1990, The New York State Literary Center’s Arts Education programs began to concentrate on disconnected youth, young people at highest risk for educational failure, in residential placement and day treatment facilities, juvenile detention centers, juvenile justice facilities, and jails. Dale Davis pioneered teaching literacy using hip-hop culture as an educational tool. She has written and directed three hip-hop theater pieces, adapted from the writing of the young people with whom she works that have been performed in juvenile justice facilities prisons, and jails. She has also edited and published a series of children’s books written by incarcerated adolescents. She has produced thirty CDs that feature the poetry, spoken word, and rap of the young people with whom she has worked. The New York State Literary Center’s work with high-risk young people has received national recognition from The National Alternative Education Association, The National Dropout Prevention Association, and Arts In Criminal Justice. In addition, Davis’ work has been featured in New York Magazine, on Tuft University’s Eliot Pearson Department of Child Development website, and praised by The National Assembly of State Arts Agencies Stop The Violence Through The Arts program.

In 2006 Davis founded New York State’s Arts In Correctional Education Network, which she presently administers for The New York State Literary Center.

She has worked with juvenile justice sites, lectured, and conducted teacher development programs throughout the country. As a recognized expert on Youth Culture, she served as a consultant to The Children’s Dignity Project, ABC Network and was selected to participate in Harvard University’s Institute on The Arts and Civic Dialogue, established by playwright and actor Anna Deavere Smith.  In 2004, her work was the subject of a Fox News Documentary. She recently consulted with the College Board on its National Arts In Education Task Force.

As an advocate for Teaching Artists, Dale Davis was one of the founders of the Association of Teaching Artists in 1998. In 2006 she became the Association of Teaching Artists’ first Executive Director. She develops and maintains the organization’s web site, Facebook page, and edits its listserv, which reach over 3,000 Teaching Artists daily. She is in communication with Teaching Artists nationwide and consults on training and professional development for Teaching Artists. She has presented on Teaching Artists and The Association of Teaching Artists throughout the country where The Association of Teaching Artists is looked to as a national model. She is a member of the Teaching Artist Certificate National Advisory Council, The University of The Arts.

 

 
JEREMY DEGROAT is a graduate of Finger Lakes Community College with an A.S. in Audio Recording Technology. He was an intern for East End Recording Studios in Rochester, one of the largest recording studios on the east coast.  After two months as an intern, he was hired as an audio engineer. Shortly after he was promoted to Assistant Manager and Head Engineer. In 2004, he was promoted to Studio Manager. While at East End Studios he worked on many different types of projects, including local musicians, national label musicians, Eastman School of Music faculty and students, as well as working with national producers and commercial accounts. In 2006 East End Studios closed because the owners decided to retire. Since then Jeremy DeGroat has worked as an independent recording engineer.  He has worked with The New York State Literary Center for eleven years.
 

 
MARGOT MUTO was academically trained in fine art and design at the Cleveland Art Institute and Rochester Institute of Technology. She has taught at Cleveland Museum of Art and the Memorial Art Gallery (Rochester). She has worked alongside her father, Rick Muto, in creating murals for residential and community spaces since high school at School of The Arts in Rochester. Margot manages the business aspects of her parents’ Art and Design Studios, and she is currently Vice President of Neighborhood of The Arts Business Association. She is currently developing AXOM Gallery and Exhibition Space, promoting contemporary art. She has worked with The New York State Literary Center for five years.
 

 
DAVID A. SHAKES was born in Philadelphia Pennsylvania and was raised in Brooklyn, New York; he became interested in dramatic arts as a young student. While a student at Erasmus Hall High School he auditioned for and became a member of the all-city radio and television workshop. The workshop provided an excellent opportunity to perform radio plays and television skits as well as the fundamentals of narration. David continued to work in the arts as a young adult during the “Black Arts” movement of the late 1960’s and early 1970’s. Shakes was one of the founding members of the “Spirit House Movers and Players” a prominent theatre company that presented plays and performed poetry throughout the country. During that period of time he worked and studied with many dramatists and authors including Amiri Baraka, Woodie King Jr. and Yusef Iman; he also studied at the American Academy of Dramatic Arts. In addition to his studies in the arts Mr. Shakes earned a B.S. in communications at Empire State College and an MSW at Syracuse University. Shakes is a longtime resident of Rochester, he has worked with numerous theatres in the Rochester community as an actor, director, guest artist and producer. His performances and productions have received critical as well as public acclaim, at Geva Theatre he portrayed Gabriel in “Fences”, Slow Drag in “Ma Rainey’s Black Bottom”, other theatres where he was a contributing artist include JCC Centerstage, Shipping Dock, Blackfriars, RAPA, Downstairs Cabaret Theatre and Rochester Community Players. David also founded the Village Theater where he acted, directed and produced plays. Mr. Shakes is a social worker in the Rochester City School District at Roberto Clemente School #8, along with his responsibilities as a social worker he coaches students for the Fredrick Douglass oraratorical contests and has coached two national winners in the past two years; 2006: William Urena and 2007: Ineabasi Ikpot. Mr. Shakes is also active as an actor in local films and advertising campaigns; another aspect of his work in the community is that of historical interpreter, he often presents such persons as Frederick Douglass, Langston Hughes, and Dr. Martin Luther King Jr. He has worked with The New York State Literary Center for four years.